You are here
Drawing Conclusions (Hardcover)
Order Online Now
April 2011 Indie Next List
“Leon's vivid, atmospheric writing brings the city of Venice and its sights, sounds and smells to life, and her charming cast of characters and sense of social justice make her novels a delight to read. In Drawing Conclusions, Commissario Brunetti investigates the death of an elderly woman whose suspicious bruises and missing artworks suggest that a simple heart attack was not the real cause of her death. Another suspenseful and satisfying addition to this wonderful series.”
— Carol Schneck, Schuler Books & Music, Okemos, MI
Though there are some signs of a struggle, the medical examiner rules that a widow died of a heart attack. Brunetti can't shake the feeling that something or someone may have triggered her heart attack. With the help of Inspector Vianello and the ever-resourceful Signorina Elettra, perhaps Brunetti can get to the truth and find some measure of justice.
About the Author
A New Yorker of Irish/Spanish descent, Donna Leon first went to Italy in 1965, returning regularly over the next decade or so while pursuing a career as an academic in the States and then later in Iran, China and finally Saudi Arabia. It was after a period in Saudi Arabia, which she found 'damaging physically and spiritually' that Donna decided to move to Venice, where she has now lived for over twenty years.Her debut as a crime fiction writer began as a joke: talking in a dressing room in Venice's opera-house La Fenice after a performance, Donna and a singer friend were vilifying a particular German conductor. From the thought 'why don't we kill him?' and discussion of when, where and how, the idea for Death at La Fenice took shape, and was completed over the next four months. Donna Leon is the crime reviewer for the London Sunday Times and is an opera expert. She has written the libretto for a comic opera, entitled Dona Gallina. Set in a chicken coop, and making use of existing baroque music, Donna Gallina was premiered in Innsbruck. Brigitte Fassbaender, one of the great mezzo-sopranos of our time, and now head of the Landestheater in Innsbruck, agreed to come out of retirement both to direct the opera and to play the part of the witch Azuneris (whose name combines the names of the two great Verdi villainesses Azucena and Amneris).